Mureka announced the brand and platform evolution into the world’s first AI-native music platform — built on a single conviction: in music, creation and listening matter equally. A song’s life shouldn’t end the moment it’s generated. In Mureka, it is made, discovered, remixed, and grown.
The following comes from Mureka, a partner of DMN.
For two years, the AI music industry has rallied around one promise: anyone can make music. But the industry split the music life-cycle in half — creating on one side, listening to the other — and left the space between them empty. If no one sends it, saves it, or builds on it, it is never a song. It was a demo.
Mureka now closes that loop.
What Mureka heard from users in nearly 100 countries
Mureka recently completes interviews with users across nearly 100 countries in combintaion with a study of 2000 real creative sessions by these users. One pattern demonstrates everything. Every song is personal. But when people reach for music, what they reach for is astonishingly universal.
What people come to make is almost always personal in one of two ways. Some write for themselves, to say who they are: a Honduran user in the U.S. asks for a Grupo Laberinto–style corrido to sing where he comes from. Others write for one person: on Mother’s Day, a user in France writes a song in the near-vanishing Provençal dialect for Marie and Brigitte, or a birthday song for a partner.
Step back, and a collective rhythm appears. Weekends are about people — family, friendship, love, and heartbreak all rise as the week winds down. Weekdays are about things — humor, motivation, the everyday. Geography follows just as faithfully. Every country brings its own voice — Corrido in Mexico, Funk and Sertanejo in Brazil, French hip-hop in France, electronic-and-nature in Japan, orchestral in Germany — while those same Mexican users also make K-pop. Local roots and global pop, side by side.
What surfaces is when a person reaches for music, what they need it to do, and who they’re writing it for. This a portrait not of a tool, but of the people using it.
The technology behind whole songs, not clips
To make music worth replaying, AI music cannot remain a short-form generation trick. It needs structure, vocals, arrangement, language, and emotional continuity across a full track. This coherence comes from MusiCoT (Music Chain-of-Thought), which plans a song the way a composer does structuring the full arrangement before rendering melody, vocals, and instrumentation into one coherent track.
The new Mureka V9 (March 2026) delivers markedly more natural vocals and full-track coherence across 10+ languages. In independent Artificial Analysis benchmarking, the prior generation ranked #1 for both vocals and instrumentals, pairing consumer-grade accessibility with professional control, surrounded by a full ecosystem: Text-to-Song, Remix, a multi-track Studio, the Mureka Co desktop app, Music-to-Video, and a developer API.
According to the person familiar with the matter, Mureka V10, the next-genearation model, will launch in Q3 2026.
“We’re not building a better generator. We’re building where music lives.”
“Everyone else treats a finished song as the end of the story. For our users, it’s the beginning — that’s when they sing who they are, or send it to someone they love,” said Hong CHEN, Head of Music Partnerships at Mureka. “Our mission is to let everyone express themselves through music. Closing the loop — making creation and listening matter equally — is how we make that real.”
Mureka is available now on Web, iOS, Android, and Desktop, serving creators from absolute beginners to professional producers across North America, Europe, Japan, and Southeast Asia.