Jonny Greenwood, Alexandre Desplat and Hildur Guðnadóttir are among the nominees for Film Composer of the Year at the 26th edition of the World Soundtrack Awards, which takes place on Oct. 10.

Greenwood, Radiohead’s lead guitarist, was the composer for Paul Thomas Anderson’s “One Battle After Another.” His film scoring career has been defined by “tension-filled orchestrations” for “Phantom Thread” and “The Power of the Dog,” the event said. For “One Battle After Another,” he channeled that signature style into a “nerve-shredding” score.

Desplat, a two-time Oscar-winner, reinvented iconic John Williams motifs into a “thrilling action score” for “Jurassic World Rebirth,” crafted a “lyrical” symphonic score for Guillermo del Toro’s “Frankenstein” and “elevated” “L’homme qui rétrécit” with “haunting, suspenseful jazz,” the WSA said in a statement.

Academy Award-winner Guðnadóttir, this year’s WSA guest of honor, is celebrated for her “atmospheric soundscapes” for projects like “Joker” and “Chernobyl.” Her nomination reflects her versatility, from the gothic punk score for “The Bride!,” to the jazzy vocal tracks for “Hedda,” and the raging mammoth horn solos from “28 Years Later: The Bone Temple.”

Another nominee in the category is Emmy-winner Daniel Pemberton, who blends traditional orchestration with “unconventional, genre-bending soundscapes.” For “Project Hail Mary,” he created an “expansive” sci-fi score using “organic textures like glass, water and body percussion.” Pemberton’s “slow-burning acoustics” for “The Drama,” “infectious” funk for “The Bad Guys 2” and “maximalist glam-rock explosion” for “Masters of the Universe” complete his nomination.

The final nominee is Max Richter, renowned for “seamlessly fusing emotional classical orchestration with hypnotic contemporary ambient electronics,” the WSA said. For Chloé Zhao’s “Hamnet,” he wrote a “deeply moving score that blends period Elizabethan instruments with soft vocal chants to mirror the intimacy and grief of the story.”

The nominees for Television Composer of the Year include Emmy-winner David Fleming. Nominated last year for “The Last of Us,” he returns with genre-defying horror-comedy “Widow’s Bay,” a score “navigating the show’s tightrope between dread and wit.”

Also nominated is multiple Grammy- and two-time Academy Award-winning musician Finneas O’Connell, whose score for the second season of “Beef” marks his “most ambitious foray” into television composition to date. In his original score, “delicate piano collides with anxious synth.”

Martin Phipps, renowned for his work for “Peaky Blinders,” “The Crown” and “Black Mirror,” is nominated for his score for heist thriller “Steal,” which he co-wrote with “The Green Planet” composer Benji Merrison. The “tense” score was composed almost entirely on a single monophonic synthesizer.

Dave Porter, who worked with screenwriter Vince Gilligan since “Breaking Bad,” “Better Call Saul” and “El Camino,” is nominated for his eerie post-apocalyptic score for “Pluribus.”

Jeff Russo, an Emmy winner for “Fargo” and celebrated for his wide stylistic range, is nominated for his work across “Cape Fear” and “Alien: Earth,” as well as the second season of “Citadel.”

The WSA prize for best original song is being chased by K-pop singer-songwriter Kim Eun-jae and composer Mark Sonnenblick for “Golden,” written for the Netflix hit “KPop Demon Hunters,” following their Oscar win.

Also nominated is “House” from “Wuthering Heights,” a song that “infuses raw emotional tension in the classic tale,” on which Nathan Klein and Finn Keane teamed up with avant-garde pioneer John Cale and pop icon Charli XCX.

Also nominated is “No Place Like Home” from “Wicked: For Good,” on which composer Stephen Schwartz crafted a “soaring ballad,” brought to life by Cynthia Erivo.

Another contender is “Stolen Tale” from “Hedda,” co-written by Guðnadóttir and director Nia DaCosta, which serves as a “haunting love theme” carried by the “distinctive, atmospheric” vocals of Swedish singer Mariam Wallentin.

Finally, title track “Train Dreams” from “Train Dreams” joins Nick Cave with The National’s Bryce Dessner, anchoring the film’s narrative in Cave’s “signature somber, poetic delivery and melancholy acoustic resonance.”

The second wave of WSA nominations – for Discovery of the Year, Public Choice Award, Game Music Award and Belgian Film Composer of the Year – will be announced on Sept. 3.

Film Composer of the YearAlexandre Desplat – “Frankenstein,” “Eagles of the Republic,” “Jurassic World Rebirth,” “L’homme qui rétrécit” (The Shrinking Man)Jonny Greenwood – “One Battle After Another”Hildur Guðnadóttir – “The Bride!,” “Hedda,” “28 Years Later: The Bone Temple”Daniel Pemberton – “Project Hail Mary,” “The Drama,” “The Bad Guys 2,” “Masters of the Universe”Max Richter – “Hamnet”

Television Composer of the YearDavid Fleming – “Widow’s Bay”Finneas O’Connell – “Beef” (Season 2)Martin Phipps, Benji Merrison – “Steal”Dave Porter – “Pluribus”Jeff Russo – “Alien: Earth,” “Cape Fear,” “Citadel” (Season 2)

Best Original Song“Golden” from “KPop Demon Hunters” – written by Kim Eun-jae, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo, Teddy Park; performed by Huntrix“House” from “Wuthering Heights” – written by Charli XCX, John Cale, Nathan Klein, Finn Keane; performed by Charli XCX, John Cale“No Place Like Home” from “Wicked: For Good” – written by Stephen Schwartz; performed by Cynthia Erivo“Stolen Tale” from “Hedda” – written by Hildur Guðnadóttir, Nia DaCosta; performed by Mariam Wallentin“Train Dreams” from “Train Dreams” – written by Nick Cave, Bryce Dessner; performed by Nick Cave

Best Original Composition by a Young ComposerXabier Doural GarcíaLidia Pozo PerezYeakun Yoo